Friday, 20 July 2012

Final Screening

Final Screening today, I have completed my production paperwork and I am really looking forward to viewing everybody’s projects.

I think that the progression on this course from a ‘3 Minute Wonder’ to two ‘5 minute programmes’ and to finish with two ’10 minute programmes’ has been really challenging but has given us quite a broad-overview of the industry and the expectations of the contemporary TV marketplace.
Personally, I think the work that my crew has put into this project has been incredible and I am immensely grateful to all four of them for their efforts, expertise and skill.
Nearly over now guys! :D

Sunday, 15 July 2012

Critical Screening

Formative Screening today went really well and we received a lot of positive feedback for our projects. I was really pleased that everyone enjoyed ‘The Unthinkable Truth’ documentary and found Phil to be engaging and entertaining.  With the benefit of the big screen you could really appreciate how well Jim, the editor, has cut this doc in response to contemporary TV, additionally, the final interview with Phil was really worth pushing for at the shoot because Phi is emotional and impassioned and you can really emphasise with him as a contributor.  
Additionally, the BMX documentary has pulled together really well; the tracking shots have added a really ‘expensive’ look to the film and the use of the Birmingham World Championship races is excellent and all credit to James, the Director, for the level of access he gained to film those races. The film has a much more modern and dynamic feel to it than perhaps the ‘Alien’ programme and I think the timing with the start of the London 2012 Olympics makes this film wholly relevant and exciting.
Really happy with the feedback and the work just got to wait for the final screening next week.

Monday, 2 July 2012

BMX, Tracks and Training!

Further travelling and numerous service stations but yesterday we completed the BMX Shoot! This shoot was challenging for everyone involved; it was hard on James as a Director because he had to juggle Directing and recording good sound. It was difficult for Tim and Michaela because they had to handle both the interior stadium environment and the outdoor tracks and my most important challenge was ensuring that we got everything we could out of the interviews and really made the most of the fantastic access we had been granted.
At the National Cycling Centre in Manchester it was brilliant to interview the five Academy riders because we were giving them more media exposure but they already had to some degree some interview exposure so they were pretty comfortable on camera and gave great answers so didn’t need a huge amount of guidance from me.
It was critical, however, during this two shoot that we did not interfere with any of the rider’s training including the training of Team GB’s two Olympic BMX riders this year Liam Phillips and Shaznaze Reade. James and myself were fortunately able to negotiate with Grant Whyte, the Head Coach, that we would be able to film and also that we could have consent for the BMX World Championship races we shot back in May so we’re really grateful to British Cycling, Grant and Marcus Bloomfield, the Academy coach for being so welcoming and supportive.
It was a great experience for James and Tim to have that additional day filming Marcus on his home track; a bit more time, natural light and space to film some really creative and more technical shots!
 At Peckham race track, our contributors were equally obliging and although I had been worried that perhaps C .K. Flash, Peckham’s Head Coach and Quillan Isidore, the current under 16yr World BMX Champion would be reluctant to talk they weren’t; they were completely engaged, enthusiastic and I think natural in front of the cameras.
Our final contributors, Rob Reed and Flo Heft, as well as Flo’s Dad Andy also adapted to interview really well and this was surprising considering the lack of media experience that the three of them had. I did try as much as possible to make them at ease and ask the questions in a way that would allow them to answer naturally but perhaps with the benefit of hindsight it would have been great to have a little more time with these three particularly Flo because she has a lot of content to give.
On the whole, I think the BMX team adapted really well to the variety of situations and issues we had to deal with and I think that it has proved to me the benefit of capturing all and any interview you can in the time you have because you never know what might be needed in the edit.